{"id":8865,"date":"2012-09-24T15:00:03","date_gmt":"2012-09-24T15:00:03","guid":{"rendered":"http:\/\/www.iamslip.com\/?p=8865"},"modified":"2012-09-21T08:20:13","modified_gmt":"2012-09-21T08:20:13","slug":"dr-pixel","status":"publish","type":"post","link":"https:\/\/www.iamslip.com\/?p=8865","title":{"rendered":"Dr Pixel\u2122 …"},"content":{"rendered":"

\u00a0<\/p>\n

Dr Pixel\u2122<\/span><\/p>\n

\u00a0<\/p>\n\n\n\n
Fran\u00e7ais<\/a><\/td>\nEnglish<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

\u00a0\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a><\/p>\n

 <\/p>\n

<\/a>FRANCAIS<\/span><\/strong><\/p>\n

Un brin totalitaire, un chouilla psycho-rigide,<\/em>
le Docteur Pixel\u2122 n\u2019aime pas le d\u00e9sordre et a d\u00e9cid\u00e9 <\/em>
d’en finir avec cette anarchie permanente des fichiers d\u2019image.<\/em><\/p>\n

Partant de l’adage \u00ab\u00a0Qui se ressemble s’assemble\u00a0\u00bb, il s\u2019attaque au rangement de<\/em>
fichiers des \u0153uvres d\u2019arts. Issu d’une autre \u00e9poque, le Dr Pixel consid\u00e8re que<\/em>
l’art et la peinture sont des loisirs subversifs, vecteur de trop d\u2019\u00e9motions…<\/em><\/p>\n

 <\/p>\n

Dans un monde o\u00f9 tout est\u00a0 \u00e9tiquet\u00e9, rang\u00e9, tri\u00e9, on finit par ne plus faire attention \u00e0 cet \u00e9tat de fait. Par ce travail, il me semblait important\u00a0 de mettre ce mode de fonctionnement en exergue au travers d’un dispositif artistique.
Utilisant l’objectivit\u00e9 de l’outil informatique, j’ai cherch\u00e9 \u00e0 montrer l’absurdit\u00e9 de telles pratiques en d\u00e9structurant des photos d\u2019\u0153uvres intemporelles. On montrera au travers de cette exposition\u00a0 combien les nuances, les diff\u00e9rences et la finesse d’esprit transforment un tas de couleurs en \u0153uvre d’art.<\/p>\n

Il me semblait important d’utiliser comme mati\u00e8re de r\u00e9flexion, un terreau universel, compr\u00e9hensible par tous, les oeuvres d\u2019art parmi les plus connues au monde. Ces chefs d’oeuvres constituent \u00e0 l’instar des grandes figures historiques la m\u00e9moire commune du monde et si on ne connait pas toujours forc\u00e9ment le nom exact de ces \u0153uvres, on peut difficilement avoir \u00e9chapp\u00e9 \u00e0 leur vision, partielle ou compl\u00e8te, r\u00e9elle ou virtuelle. Le choix de ces tableaux repose donc sur l’universalit\u00e9 des images, permettant ainsi d’\u00e9tablir un parall\u00e8le avec la soci\u00e9t\u00e9 dans laquelle on vit. Les touches de couleurs tout en nuances apport\u00e9es par les grands maitres de l’art peuvent se comparer \u00e0 la composition de la population o\u00f9 aucune personne n’est identique.<\/p>\n

De plus, le personnage borderline choisi pour pr\u00e9senter cette \u0153uvre a un rapport compliqu\u00e9 \u00e0 l’art. Pour lui, l’art et la culture<\/strong> en g\u00e9n\u00e9ral permettent d’exprimer des \u00e9motions. Or il s’y oppose, <\/strong>refuse les <\/strong>\u00e9motions, pr\u00e9f\u00e9rant y opposer une logique jusqu’au-boutiste.<\/p>\n

\u00a0Afin de conduire cette d\u00e9marche, j’ai cherch\u00e9 l’outil le plus adapt\u00e9 pour retravailler les images. Pour rester coh\u00e9rent avec l’identit\u00e9 du projet, j’ai d\u00e9cid\u00e9 de privil\u00e9gier une approche informatique, renfor\u00e7ant la dimension froide, sans \u00e9motions, objective<\/strong>. <\/strong>Ayant d\u00e9j\u00e0 effectu\u00e9 des recherches par le pass\u00e9 sur l’art num\u00e9rique (notamment en produisant de courtes \u0153uvres bas\u00e9es sur la\u00a0 g\u00e9n\u00e9ration al\u00e9atoire d\u2019\u0153uvres, inspir\u00e9 par John Maeda) je me suis orient\u00e9 vers l\u2019outil informatique. Celui-ci ne connait pas de limites : une fois que les r\u00e8gles de gestion sont d\u00e9finies, il peut reproduire encore et encore la m\u00eame action sans jamais se poser de questions ni remettre en cause la d\u00e9marche dans laquelle il est impliqu\u00e9.<\/p>\n

Les \u0153uvres finales <\/strong>seront <\/strong>pr\u00e9sent\u00e9es sous forme de tableaux grand format <\/strong>(100X70cm) r\u00e9alis\u00e9s de mani\u00e8re artisanale.<\/p>\n

 <\/p>\n

<\/a>ENGLISH VERSION
<\/span><\/strong><\/p>\n

A little bit totalitarian, a little bit psychorigid , Doctor Pixel \u2122 does not like the disorder and decided to end with this permanent anarchy of the picture files.<\/em><\/p>\n

Runner of the proverb \u00ab\u00a0Birds of a feather flock together\u00a0\u00bb, he decides to have a look on the files of greatest artworks. Stemming from another period, Dr Pixel considers that arts are subversive leisure activities, vector of too many feelings…<\/em><\/p>\n

In a world where everything is labelled, tidied up, sorted out, we pay no more attention on this established fact. By this work, I wanted to highlight this way through an artistic look.
Using the objectivity of computers, I tried to show the nonsense of such practices by disintegrating photos of timeless works. We shall show through this exhibition how much the nuances, the differences and the delicacy transform a heap of colors into work of art.<\/p>\n

\u00a0Dossier \u00e0 t\u00e9l\u00e9charger <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 Dr Pixel\u2122 \u00a0 Fran\u00e7ais English   \u00a0   FRANCAIS Un brin totalitaire, un chouilla psycho-rigide,le Docteur Pixel\u2122 n\u2019aime pas le d\u00e9sordre et a d\u00e9cid\u00e9 d’en finir avec cette anarchie permanente des fichiers d\u2019image. Partant de l’adage \u00ab\u00a0Qui se ressemble s’assemble\u00a0\u00bb, il s\u2019attaque au rangement defichiers des \u0153uvres d\u2019arts. Issu d’une autre \u00e9poque, le Dr […]<\/p>\n","protected":false},"author":2,"featured_media":8940,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","_uag_custom_page_level_css":"","_swt_meta_header_display":false,"_swt_meta_footer_display":false,"_swt_meta_site_title_display":false,"_swt_meta_sticky_header":false,"_swt_meta_transparent_header":false,"footnotes":""},"categories":[4],"tags":[821,818,819,232,822,820],"class_list":["post-8865","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-collections","tag-datas","tag-docteur","tag-fascism","tag-pixel","tag-pixel-sorting","tag-processing"],"jetpack_featured_media_url":"https:\/\/www.iamslip.com\/wp-content\/uploads\/2012\/09\/comp-10.gif","uagb_featured_image_src":{"full":["https:\/\/www.iamslip.com\/wp-content\/uploads\/2012\/09\/comp-10.gif",882,968,false],"thumbnail":["https:\/\/www.iamslip.com\/wp-content\/uploads\/2012\/09\/comp-10-150x150.gif",150,150,true],"medium":["https:\/\/www.iamslip.com\/wp-content\/uploads\/2012\/09\/comp-10-273x300.gif",273,300,true],"medium_large":["https:\/\/www.iamslip.com\/wp-content\/uploads\/2012\/09\/comp-10.gif",768,843,false],"large":["https:\/\/www.iamslip.com\/wp-content\/uploads\/2012\/09\/comp-10.gif",882,968,false],"1536x1536":["https:\/\/www.iamslip.com\/wp-content\/uploads\/2012\/09\/comp-10.gif",882,968,false],"2048x2048":["https:\/\/www.iamslip.com\/wp-content\/uploads\/2012\/09\/comp-10.gif",882,968,false],"woocommerce_thumbnail":["https:\/\/www.iamslip.com\/wp-content\/uploads\/2012\/09\/comp-10-300x300.gif",300,300,true],"woocommerce_single":["https:\/\/www.iamslip.com\/wp-content\/uploads\/2012\/09\/comp-10-600x659.gif",600,659,true],"woocommerce_gallery_thumbnail":["https:\/\/www.iamslip.com\/wp-content\/uploads\/2012\/09\/comp-10-100x100.gif",100,100,true]},"uagb_author_info":{"display_name":"slip","author_link":"https:\/\/www.iamslip.com\/?author=2"},"uagb_comment_info":0,"uagb_excerpt":"\u00a0 Dr Pixel\u2122 \u00a0 Fran\u00e7ais English   \u00a0   FRANCAIS Un brin totalitaire, un chouilla psycho-rigide,le Docteur Pixel\u2122 n\u2019aime pas le d\u00e9sordre et a d\u00e9cid\u00e9 d’en finir avec cette anarchie permanente des fichiers d\u2019image. Partant de l’adage \u00ab\u00a0Qui se ressemble s’assemble\u00a0\u00bb, il s\u2019attaque au rangement defichiers des \u0153uvres d\u2019arts. Issu d’une autre \u00e9poque, le Dr\u2026","_links":{"self":[{"href":"https:\/\/www.iamslip.com\/index.php?rest_route=\/wp\/v2\/posts\/8865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iamslip.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iamslip.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iamslip.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iamslip.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8865"}],"version-history":[{"count":29,"href":"https:\/\/www.iamslip.com\/index.php?rest_route=\/wp\/v2\/posts\/8865\/revisions"}],"predecessor-version":[{"id":8965,"href":"https:\/\/www.iamslip.com\/index.php?rest_route=\/wp\/v2\/posts\/8865\/revisions\/8965"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iamslip.com\/index.php?rest_route=\/wp\/v2\/media\/8940"}],"wp:attachment":[{"href":"https:\/\/www.iamslip.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iamslip.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iamslip.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}